Learn to Play Bass Guitar!

Posted: Announcement – 2:01 pm

BassHello everyone!  If you are reading this, you are probably interested in playing the bass guitar.  The bass guitar is a very special instrument because even though the bass player does not get the attention given to say, the lead guitarist, the bass player has the job of creating the rhythm and beat for the band.  You will learn to play bass guitar as you are guided by weekly lessons.  I will be showing you the basics that every bass player should know, and before you know it, you will be rockin’ out like the stars do on stage!

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Lesson Four: Major and Minor Arpeggios

Posted: September 17, 2009 – 12:27 pm

 

Now that you have associated numbers with notes in a scale, we can now learn the arpeggios starting with the two simplest arpeggios, the major and minor arpeggios.  

The first thing in creating arpeggios is to pick the root note.  This root note is the 1st note.  For this example, I will use A.  In the image of the scale pattern in the previous lesson, it is the 1.  

The next step is adding the other notes to the arpeggio.  The simplest arpeggios have only three different notes.  The first and most common is the major arpeggio.  This consists of a root, a third, and a fifth.  This is not just mumbo-jumbo!  You already know the 3rd and 5th from the previous lesson.  The third is the third note in the major scale, and the 5th is the fifth note in the major scale.  The root is the A, the third is the Db, and the fifth is the E.  Shown here.

 

The second most common arpeggio is the minor arpeggio.  This consists of a root, a flat third and a fifth.  The flat third is the only difference in this arpeggio, but it makes it a completely different sound.  Now a flat third is nothing difficult to grab.  It is only a half step below the third note in the major scale.  so in this case it would be a C.  So an A minor arpeggio consists of an A, a C, and an E.  Shown here.

 

You know how to create arpeggios now, so what are the used for?  When you play along with a guitarist or pianist, they will be playing chords.  These chords are made up of entirely of notes from arpeggios.  For example, if a guitarist plays a G chord, that chord consists of only the notes, G, B, and D.  If a guitarist plays an A minor chord, they are playing an A, C, and E.  So now you can create bass lines with the notes from the arpeggios while the guitarist or pianist plays the chords.  Try using different rhythms, and patterns of arpeggios while playing along with someone else.  You are now creating bass likes off the top of your head!  Congratulations!  Try adding some notes from scales, and you will be on your way to brilliant bass lines on tap.

 

Here are the chords to Dispatch’s The General

 

Bb, F, C minor, G, D#, A#, F

 

Try playing along with the band!!! 

 

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Lesson Three: Major Scale

Posted: August 29, 2009 – 2:55 pm

 Today’s lesson is about scales; the major scale in particular.  Scales are sets of eight notes that are the basis for western music.  In a bass line, a bass player plays notes in the chord that is being played, as well as the scale.  Without knowing the scales, your bass lines will be rather boring.  If you want to learn to play bass guitar, you must learn your scales.

Today we will be learning the major scale. If you look at a piano and play all the white notes without playing any of the black notes, you will be playing a C major chord.  On a bass, however, it is a bit different.  Here is what the pattern looks like on a bass guitar.

This specific scale is a G major scale.  Notice how the 1 and the 8 are octaves as we discussed in a previous lesson.  In order to make this scale a different scale, say C scale, all you have to do is put the 1, also named the root, on the C.  You can move the pattern to any of the notes.  Just like this!

 

The major scale can also be represented by the whole steps, and half steps.  

A whole step is two frets away, and a half step is one fret away.  B is a whole step away from A.  G# is a half step away from G.  

Here is the major scale represented as whole and half steps.

W: whole step

H: half step

W-W-H-W-W-W-H

 

So to find any major scale on the fretboard, you can apply this pattern on any note.  

Practice the major scale on all the different notes on the bass.  Play them in different patterns and rhythms.  Try playing them backwards.  Whatever you want!  And remember to always play with a metronome!

Now that you know how to read and write bass tabs, try transcribing this song called Another One Bites the Dust, by Queen.

 

Another One Bites The Dust 

 

Let me know how you do on transposing your bass line.  This is one of the best ways to develop an ear for the bass, and to become a much better bass player.  Groove on!

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Learn to Read Bass Tabs

Posted: August 27, 2009 – 7:58 pm

 

Many bass players  as they learn to play bass guitarfind out how to play a song by looking up tabs.  I have always believed that the best way to become a better bass player is to listen to the song and write down the notes that you hear.  This lesson will teach you to either look up the tabs, or to write them down when you have found out how to play the bass lines by ear.  

 

How tabs work is there are four lines, each one representing a different string on the bass.  The lowest line is the E string, the second to lowest is the A string, the third line is the D string, and the highest line is the G string.  Each of these lines will have different numers on them in a progression, these represent the fret number that is to be played.  Here is an example of a tab.  See if you can play it!

 

 

This is an example of a tab and is the first part to a blues bass line.  The lowest line plays the G on the E string, the second to lowest line plays the B and the D on the A string, and the third line plays the E, and F on the D string.  This is how you read tabs.  Now see if you can play this bass riff called Rappers Delight by the Sugar Hill Gang.  I know you can!

And repeat!  You must play along with the music to know the rhythm of the notes, and that is one downside to tabs, but you’re on your way!  Great Job!

 

Play along with the band!


By the way!  Here are some other cool sites that you might be interested in.

  • Bass guitar wonderland | Guitar Licks – I love playing bass once in a while even though I’m ok at it. I wish that I had the technique to do some “bass slapping” but my longer finger nails prevent me from doing so. I can pull it off in playing songs on my guitar like Neon …

  • Bass Guitar Lessons: Be Your Own Teacher – If you decide to learn to play bass guitar for free you will probably need to find yourself some free bass guitar tabs on the internet. There are many places that offer bass tabs for popular songs. Another option for the bass guitar …

Practice is Key

Posted: August 25, 2009 – 6:17 pm

  Hello there fellow bass players!  Good for you for sticking with your practicing.  When I first started playing the bass guitar, I absolutely loved playing it and learning new songs.  I increased my knowledge the most amount in that first month or two of playing.  If you enjoy playing, it is much easier to practice.  In order to get really good at your instrument, you must  practice a little bit every day; even if it is only five minutes; this constant practice allows you to continually increase your knowledge of the bass.  

My cross country coach always said, “You get out of it, what you put into it.”  This is true for everything.  Whatever you do, practice, research, learn, you will get better at whatever that is.  Increase your knowledge and skill in everything you do, every day, and you will be successful in life.

 

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Lesson Two: Octaves

Posted: August 12, 2009 – 7:45 pm

 Last lesson, you were given only the notes of the first two strings.  Today you will be given the tools to know the other two strings.  Now if you recall, the fifth fret on the lower string is the same as not playing any frets on the next higher string.  The fifth fret on the E string equals the A string; the fifth fret on the A string equals the D string;  the fifth fret on the D string equals the G string.  Therefore the 7th fret on the E string, equals the second fret on the A string; the 9th fret on the D string equals the the fourth fret; the 6th fret on the A string equals the 1st fret on the D string and so on.  This is important in familiarizing yourself with your bass.

Now an octave is a note that is the same note, but higher.  In the musical progression of notes the underline is an octave A, Bb, B, C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B, C, Db, D, Eb, E, F, Gb, G.  Notice when you play these, the second C is higher than the first, but it still has the same sound.  

To find an octave of a note, you must move your finger up two frets, and down two strings as such:

So knowing this, see if you can fill in the rest of the bass notes on the other two strings.  Here is a worksheet that you can use:

Left click on this diagram and open it in another window so that it appears larger.  See if you can tell which are the octaves within the first two strings.  Octaves don’t always have to be two strings away and two frets down.  No that is only an easy way.  Another way to tell is if they are twelve half steps away.  I know for a fact that the F on the A string is the octave of the F on the E string.  Think about it. they are twelve notes away if you take into account that the A on the E string is the same as the A string.  This is not to say that these A’s are octaves, but they are the same exact note with the same pitch and frequency.  Now try to find the rest of the notes on the other two strings!

 

Oh, and by the way.  Here is a cool riff from the verse of  ”Play that Funky Music White Boy” by Wild Cherry.  

E, E, e, d, e, A, B, d, e    and repeat.

The big E represents the Lowest E on the E string whereas the little e represents the octave of that E.  That is the same for the A. 

Try playing with the band!

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Lesson One: Notes on the Bass Guitar

Posted: August 9, 2009 – 1:01 pm

 

Hey guys, Welcome to your first bass lesson on LearntoPlayBassGuitar.org!  Today, you will be shown the different notes on your bass.  To play a note, hold the bass on your lap with the long neck of the bass held in your left hand, unless you are left handed, in which case, you would hold the neck with your right hand.  With your finger press down a string on the fretboard, and pluck the same string with your other hand which should be positioned by the body.  

 

Your thumb can rest on the pickup as you pluck the strings.

 

Now in modern western music, there are twelve different notes to play, and each of these notes are one fret away from each other.  The order of notes in music are as follows:

 

A, A#, B, C, C#, D, D#, E, F, F#, G, G#

 

And then it repeats itself, however, the next A in that progression would be higher than the first A, the next A# would be higher than the first, and so on.  When a note is the same pitch, but higher, this is called an octave.  

 

In the progression of notes, there are certain symbols called accidentals.  There are sharps, which is symbolized as (#) as you could see above; and there are flats, which are symbolized as (b).  A sharp means that you go one fret higher, so an D# is one fret higher than a D.  A flat means that you go one fret lower, so a Db is one fret lower than a D.  Here is the order of notes with flats instead of sharps:

 

A, Bb, B, C, Db, D, Eb, E, F, Gb, G, Ab

 

You may notice that in between A and B, there is a note that in the order of notes above is named A#, but in the bottom it is Bb.  They are the same note, only named differently.  These are called eharmonic equivalents.

 

On a bass, there are four strings each decreasing in thickness.  The fattest string if played without pressing any frets, is an E.  Then string next to it, is an A.  After that is a D, and the thinnest string is a G.  

Naturally, the first fret on the E string is an F if you follow the progression of notes given above.  The next is a Gb, and after that is a G, and so on.  Here is a picture of the notes on the first two strings.

 

The reason that the picture only shows the notes on the first two strings is because you will be able to know the notes on the other strings when you learn about octaves in the next lesson.  For now, here is a fun riff to play on the first two strings called Smoke on the Water by Deep Purple.

 

G, Bb, C—G, Bb, Db, C—G, Bb, C, Bb, G.  And repeat

 

Try playing this riff on just the E string, then try incorperating both strings.  You can play on both strings because the 5th fret on the E string is the same as just plucking the A string.  Try it!

Rock out on your first bass riff this week!  Once you get it up to speed, try playing along with the song by clicking here.  Pretty soon you will be just like those guys on stage!


 

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Anatomy of the Bass Guitar

Posted: August 7, 2009 – 9:52 pm

 

In order to begin to learn to play the bass guitar, you must first familiarize yourself with the parts of the bass.  Doing so will help you to understand what to do in the upcoming lessons.

 

 

Tuning Keys:  Used for tightening the strings.  In effect, the strings are either loosened or tightened to make the correct pitch for the string.

Strings:  When the strings are plucked, they vibrate causing the human ear to hear a specific note.  The notes of each string are as follows:  E is the thickest string, A is next, then D, and finally, G, the thinnest string on your bass.

Frets:  In between the frets mark each of the notes that can be played on the bass.  When talking about a fret position, for example, the note G is played on the third fret on the E string, we are talking about depressing the string in between the second and third frets.

Dot Position Inlays:  These dots mark certain frets on the fretboard so you can easily see where the third, fifth, seventh, ninth, and twelfth frets are.

12th Fret Marker:  This special marker marks the twelfth fret which happens to be the same note as the string that it is on only higher

Pickguard:  The pickguard is present on many basses in all different shapes and colors, however, it is not needed in most situations, because the bass is not often strummed with a pick like the guitar is.

Pickups:  The pickups all look different and are in different positions depending on what type of bass you have.  These devices are there to pick up the frequencies that are given off by the strings.  They then send that information through the chord and into the amplifier and into our ears.  Try plucking some strings when the bass is not plugged in.  If not for the pickups, most electric basses would not be able to be heard very well.

Bridge:  The bridge is where the strings are connected to the large part of the bass called the body.  If you are playing a right-handed bass, the bridge will be on your right, and if you play the left-handed bass, the bridge will be on your left.

Tone/Volume Knobs and Switches:  The knobs and switches (some basses such as the example, but not all so don’t be scared that your bass is missing parts, because most likely, it is not) control the tone and volume.  Play around with them a little and get to know which knob is which and what they each do.

Input Jack:  On the edge of your bass, there is a hole where you plug in the chord that goes into the amplifier.  This connects the bass to the amplifier and allows it to have a loud sound.

 

 

 

 

 

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Encouragement

Posted: August 7, 2009 – 4:45 pm

I would like to welcome you to LearnToPlayBassGuitar.org!  First of all, you are taking a huge step in becoming a bass player just by visiting this site.  Here is a piece of wisdom that I would like to share with you today.

Many bass players feel like they never get any attention and are not as important as the other players in a band.  Let me tell you that it is false that the bass player is not as important.  Think of it this way.  If a band is like a brick building, the bassist is like the mortar that runs through the bricks and brings them together.  You may not be playing the melody to the song, but you are bringing the notes together and bringing a fullness to the music that cannot be made by just the melody.  Think of a pianist that only plays in the treble clef with only one hand.  The piece is not nearly as fulfilled as if it were played with both hands, and the bass player is that second hand.  So go out and bring the music together!  

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